In building my mock-ups, I prefer to keep edits as non-destructive as possible. While essential  image clean-up is flattened into the image, all color grades and supplemental adjustments are added via adjustment layers. The benefit is the flexibility to color grade the image to match your need. Depending on the mock-up, there will additional compositing layers that add things like additional atmospheric haze that can toggled on/off to taste. My goal is to make these as flexible as possible.

As is the case with most all photoshop mock-ups, my mock-ups are built with smart objects as a means to include your design work. Please be sure you’re familiar with how smart objects work before opting to purchase any of my mock-ups.

Returns on mock-ups are unfortunately not available. The nature of returns on digital products makes it impossible to accommodate without the risk of piracy/abuse. I encourage everyone to familiarize themself with what this product is/isn’t before purchasing to avoid any confusion. If you feel like you have a valid reason for a return, please reach out to discuss.

Every photo print on this site is a limited edition, 1 of 10. These works are only being sold because I believe them to have value, and by choosing not to broadly commoditize them, I won't undercut that worth. When all 10 are sold, prints of that image will never be brought back or re-issued in print form. Any and all of these images, however, may be featured in JW.S® digital products, or publications such as books and editorial features. In the instance an image has been licensed, featured, or has been printed in a different form, I will make an effort to annotate that on this page. (but cannot guarantee it will always be up-to-date)

While this helps each image retain its value, it also substantiates my view that photography is a continual journey forward. I don't want a small set of images, subject-matter, or styles to perpetually define me as a photographer. Maybe for a small time they will, but I hope to keep progressing, and evolving to something new.

Each image is also shot and edited as an individual piece– entirely different from any other on the site.  I don’t use presets, or do bulk editing– in many instance, each image will have 1-15 unique edits before the final one is settled upon. Similarly, these images are also likely to also be updated as I continue to refine my editing techniques. If there's a significant change to a purchased image, I'd be happy to replace the previous edit at cost.

* It is important to note, that signatures will temporarily be withheld until I get my own printing up and running.

All paper prints use Epson Hot Press Bright Paper– an acid free, 100% cotton rag media with a bright smooth finish. This paper has an extremely-high color gamut and black density.

Each paper print size includes a 1" white border to allow for easier matting. If you do not want this included, please follow up with an email within 1-2 days of purchase so I can accommodate.

‘Matte Acrylic’ prints are first printed on Fuji Crystal DP II paper, and then placed behind a 1/16” piece of matte acrylic glass that is lightweight, shatter proof, and reduces glare while offering UV protection. Then a silicone seal is used for protection before adhering to an aluminum dibond backing with aluminum rails– making it ready to hang. There are also options to add framing, in which case please send me an email with the exacts of what you’re looking for, and we can make it happen.

If you’re not interested in either of the paper or matte acrylic prints, or want a custom size or arrangement tailored for your space, I’d be more than happy to further discuss those things. I can’t promise I can/will accommodate all requests, but I'm always open to have a dialogue about it to find something that'll work best for what you're looking for– even if it means pointing you to a photographer better suited to your interests.

All prints are also available for licensing for any number of usages. There's a lot of variables that go into determining terms and rates, so if this is something you or your company are interested in, it's best to contact me to further discuss all the details.

At a high level, I offer royalty-free licensing for usage in any medium. There are no complicated term-limits or weird stipulations as I'm trying to make this as simple for myself (and any potential licensee).

Please allow up to ~10-15 days for your print to ship. While this might seem like a generous window of time, it's to account for the print shop's production time, and any potential travel, or crazy work schedules. I promise, I want to get you the print as quickly as possible, so if I can send the order to the print shop 5 mins after the order is place, I certainly will.

If for any reason you are not satisfied with your order, please contact me so we can sort out a solution. I will be accommodating as I can, but I can only accept returns / exchanges / refunds if there is a defect or some technical issue where I or the printers are at fault– not for a change of heart :/

While my photographic prints have both paper and acrylic options, I wanted to keep the spirit of the traditional posters, and keep these simple. They're meant for whatever purpose you see fit. If you want to use thumb tacks or scotch tape to hang them, they're good for that. If you want to go the longevity route, you can matte and frame them.

While the photographic prints are also limited editions,  these are meant to have more of a mass appeal– meaning a more accessible price point. The paper of choice is meant to keep printing costs down while retaining a high standard of quality of image quality and longevity. As I do more test prints and explore papers over time, paper stock and price-point might shift.

All posters will be printed on Kodak Lustre paper, which will have more of a matte finish. This paper features a true photographic resin-coated base paper and e-surface finish with "pulp of unsurpassed quality.

While I want to keep this product free, I want to continue to improve it with more features, more reliability, and more exploration. Unfortunately all that costs money– including hosting/distribution, and hiring additional developers to help to make it happen. As a way to potentially offset those costs and enable further development, there's an option to invest via paid options.

At the moment, running it for free isn't going to put me out on the streets, so if you enjoy it but you don't have the funds to support it right now, thats ok. Please dont stress, I'm not.

*For some insight, some possible additions/improvements I'm looking at are ways to integrate video, and my designs.

You may use these products for personal or professional use. You may not share, loan or redistribute/sell or copy any of these files in any way. This license extends to the single, individual purchaser. This license does not extend to companies or partnerships and may not be resold, loaned, and/or gifted to another individual and/or party. All presets, brushes, templates (and any other digital product) by JW.S are copyright protected.

Mock-ups are visual representations of a product or design that are used to communicate ideas and gather feedback. They can be used to present designs to stakeholders, clients, and team members, and are an powerful tool for selling through designs. Using mock-ups allows designers to present their ideas in a relatable way, making it easier for others to understand and provide feedback on the design.

One of the other benefits of using mock-ups is that they allow designers to test and iterate on their designs before committing to the final version. This can save time and resources by catching potential issues earlier in the design process.